When Do I Use Flash in Photography?

The usage of flash in photography has always been a sticky subject among photographers and even non-photographers as well. In fact, there are actually some photographers who despise the idea of using flash or even light modifiers as they feel either they are “unnatural” or just not comfortable using it.

However, there will be instances when flash is necessary to use in certain situations. We shall further look at those situations here in this piece as to what would warrant them for the use of flash.

At Ballrooms, Churches, Wedding / Corporate Reception Areas

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Wedding ballrooms, churches and reception areas are prone to have less than ideal light for photographers to take advantage of. Thus, the flash helps create a primary source of light that is brighter and more pleasant than the dim ambient light. It has to be noted though that in a number of cases, churches do not allow using flash during ceremonies, so you have to discuss using artificial light with the church personnel before the ceremony.

To help diffuse the harshness of the flash, if there are white ceilings in the area that are not too high, you can mount flash on your DSLR and bounce light off the ceiling or nearby white walls. Alternately, you can use what is called a bounce card which (with the flash) will enable your image to have a much better light source than direct flash.

Photographing Details Indoors

For event and wedding photographers like the surrey wedding photographer, part of the job is to photograph well the details for vendors who made a particular event happen. Sometimes, the light in the venue would suffice, sometimes they would not. If it is the latter case and you wish to save some time photographing details faster, a flash on top of your camera bouncing off a white card might suffice.

When subject is poorly lit outdoors

Most photographers do not bother with flash outdoors, with natural light readily available. Unfortunately, that light is not always available, especially once the sunset arrives. Much like photographing indoors, you may need to use artificial light source, such as flash.

Fill Flash – when shooting backlit

Shooting subjects in a backlit setup can create a nice separation and bring more depth to images. But if the subject is heavily backlit (say with the sun behind), the opposite side of the subject which is facing the camera might get underexposed. Fill flash can help in this situation; single diffused light positioned away from the camera would do the job.

Overpowering the sun to avoid hot spots and intense shadow

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While the sunlight can be a good friend for outdoor photography, there are times, usually in the afternoon, when the light can be too harsh on the photo as the sun is directly overhead. Setting up an umbrella or a softbox with the flash helps get around that problem and you get beautiful photos as a result.

Avoiding environmental color casts on your subject’s skin tone

Sometimes when working with natural reflectors, you get to run into a problem where your subject will assume the color of the reflective surface. You can reduce this effect by using a reflector right next to your subject or use fill flash (umbrella, softbox or other modifier) to illuminate your subject, which will more or less isolate him/her from the rest of the background and reduce color reflections.

Final words

Flash helps provide dimension in your photography, allowing you to solve or at least get around the problems you sometimes face in photography. Just remember to leave some room for creativity to get the best results as possible in your photos.

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Buying Your First Camera? Here Are Some Tips

People who are trying to start out in photography often stumble at the first question every new photographer faces to answer: what camera should I use? And with so many possible answers to this question, people can get too overwhelmed or confused that would not know where to start now.

We believe that we should not complicate things as far as important choices that have to be made are concerned. We also believe that such questions require a more well-thought out answer based on one’s skill, experience, and preferences rather than a simple shout out for a preferred camera model. Thus, we have put together a list of questions which are things one should take into consideration in choosing for that first camera.

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First: Ask yourself how serious are you going to be in getting into photography

Buying a camera is itself a major investment for some people. This is especially for those who are looking into becoming professional photographers like Martin Beddall, those who would be making a living out of photography. if you are one of those who are looking at becoming professionals, it is better to look at more advanced cameras to suit your photography needs as well as for your business. If you’re looking into going into photography as a hobby, you may not need an expensive camera, but your camera has to be good to capture quality photographs.

Second: Check out what other photographers use

Now that you’ve determined how you will be seeing yourself as a photographer, the next step would be to check with other professionals or hobbyists the photos they have taken as to what cameras they use especially to take time. You may not end up using the same camera as they do, especially if the unit is priced at a rate you cannot afford, but it would at least give you an idea of the type of camera to go for as far as the brand and some of the features are concerned. Which brings us to…

Third: Determine the features you would be needing for your camera based on your needs

Many cameras have their own unique features that make them stand out in the market. If you are someone who is looking for a lot of features in the camera, especially advanced features, you should be prepared to shell out more for such cameras. If your budget is limited though, it is a good opportunity still for you to sit down and determine what you be needing for your camera to have rather what you would want. Do you see yourself going online a lot making it necessary for your camera to have built-in Wi-Fi connectivity? Would you be doing a lot of video thus the need for an external microphone jack? Ask yourself how you will be using your camera and from there you can make a good assessment on what features to look for in your camera.

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Fourth: Check your budget

This is something that has been harped on a number of times here, which just shows how budget plays an important role in choosing your camera. Even if you have narrowed down your choices after making the first three aforementioned considerations, you should still look at the choices you have and see which provide the many features you are looking for within the budget you have set in place to buy that camera. There may be instances where you have to make some adjustments and concessions based on the budget, but what is important is that your ultimate camera would be something you would be enjoying to use.

 

 

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Street Photography: What Is It?

Street Photography is perhaps one of the oldest genres of photography today. It is also a genre of photography that is very much widely seen, whether it is in the newspaper, the internet, or even in the art gallery. And with the popularity of image-sharing sites and social media services like Flickr and Instagram, street photography has become more popular than ever.

It is easy to see why as these photographs provide a visual treat at first glance, only to be hit hard by the message or theme these photos portray as we look closely at them. It is this characteristic that makes street photography compelling.

Street Photography Defined

But what exactly is street photography? Let not the name fool you, street photography is not about taking photos of the neighborhood. Instead, it is defined as a genre that captures scenes depicting the human condition or way of life in a given moment at an outdoor setting. In other words, street photography is about people rather than places.

As with any genre of photography, you don’t just take any photo. In this case, you don’t just take photos of people out on the streets. There is an element of composition that must be in place in the photo. There should be at least a distinct artistry also that the photo should possess.

Despite these rules in place, as a street photographer, you don’t get to plan what you want to shoot. There are no preparations in place beforehand nor would you make your subject do a predetermined action. In street photography, things just happen and you capture them when they happen. You just rely on your keen sense of observation, timing, and instinct to capture the moments that encapsulate the slice of a subject or subjects’ life at the right time.

The Challenge and Rewards of Street Photography

This aspect of street photography, admittedly, is something that even experienced photographers still find challenging from time to time. Indeed, it takes experience, skill, and a level of perception to find and compose that right moment on photo.

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There is also a matter of possibly getting “caught” in the middle of photography, ruining a moment as well as being a source of embarrassment. One has to learn to be discreet or at least be able to hide the fact that you are trying to take a photo of the subject or subjects in question.

As challenging as this genre is, specializing in street photography for someone who’s a wedding photographer peterborough provides a sense of satisfaction and reward, especially when you get to capture such moments on your camera and be able to effectively tell the story of the photo based on what you captured.

There is also a level of serendipity street photography provides as you discover elements and themes you never thought about when you captured it. At times, the viewer may see some more things about the photo that you never thought of in the first place, giving rise to different interpretations that would enrich the photograph as a work of art in the process.

The Photographer as an Artist

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With these elements in place, the street photographer is not just a photographer anymore. He has become a visual artist who creates works of art that convey meaning to the viewer. Then again, any photographer can be considered a visual artist too.

In any case, being an artist entails that you have a responsibility to your audience create an output that is of quality and has meaning. Let your photographs convey what you want to express and what story you wish to share even if you don’t explicitly say it. A good photograph tells you all you need to know form that single frame that you captured.

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I want to Become a Wedding Photographer, What Lenses Should I Buy?

wedding lensesAmong the many type of photography, the most common is perhaps wedding photography. Weddings happen every now and then and the demand for wedding photographers is high during summer and autumn seasons. This is the primary reason why a lot of photographers now have decided to focus and specialize on wedding photography. Those who have just entered photography are also showing interest in wedding photography.

Competition is tough nowadays and to gain an edge over the others, you need to have the knowledge and skills necessary to be a successful wedding photographer like wedding photographer surrey. You can start with buying the right camera to use. Most of you who have no budget limitations will go for a full-frame camera since it can give you sharper and more stunning images.

Now, what should you pair up with your camera? Yes of course, a pair of lens! Do you have an idea on what lenses are best for wedding photography? If you’re confused, then here are some helpful information about the best lenses for wedding photography.

  1. Standard portrait lens (70-200mm)

A 70-200mm f/2.8 lens is a great lens when taking portrait shots. We all want to look good in our photos, right? So, with this portrait lens, the couple and the guests will surely appreciate the pictures if they see themselves looking amazing!

This 70-200mm is a zoom type of lens which means you can zoom in to get a closer shot of the subject and you still get an incredible image. Most brands of DSLR camera offer an equivalent for this 70-200mm portrait lens. Just ask the sales person for a similar lens suitable for your camera.

  1. Ultra wide angle zoom lens (16-35mm f/2.8)

An ultra-wide angle lens with a focal length o 16-35 mm f/2.8 is the best choice in taking pictures of the wedding venue. It is great for environmental portraits and you can use it to take landscape shots of the wedding location before the wedding ceremony starts.

A zoom lens can also avoid intrusion when taking shots of a solemn part in the wedding. You don’t need to get close to take the shot since you can zoom in your lens to capture the moment.

  1. Prime lens

Some might not agree with this but prime lens is a great lens for wedding photography especially if you are after getting very sharp close up images. A prime lens cannot zoom in or out, it has a fixed length but it has a large aperture which helps in producing sharp and distortion-free image. It also has better depth of field so you can adjust the settings and make your subject stand out from a blurry background. Portrait photographer London can teach you how best use your prime lens.

For a start, you can buy 2 lenses and later on add more as the needed arises. Most professional photographers have more than 2 lenses. Once you have purchased your lenses, study how each one functions so you can get the best out of your camera and lenses.

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